2021/2025
Bench/Sculpture with vest
project
180x50x h50cm
Venus table/sculpture by Paolo Giordano
@sixsensesrome
Design and Architecture @patricia_urquiola
Art Advisory @lafedesss with @giuul
Venus Cut Bench
project for an urban concrete sculpture
160x85x h40/130cm
Block sculpture/bench
project for an urban sculpture in green marble 110x40x50cm
Venus Cut
sculpture in White Carrara Marble
45x60x70cm
Block sculpture
project for an urban sculpture in marble 50x40x55cm
Coffee Table
Venus Mouth fossil Sculpture
cast cement with glass top
current project
80x120x 40cm
Venus Mouth fossil Sculpture
cast cement with glass top
current project
80x120x 40cm

Console
Venus eye fossil Sculpture
cast cement with glass top
current project
30x120x 80cm
HERMES Sculpture
cast cement
current production
23,5x21,5x23,5cm
2021/2025
A bold reinterpretation of antiquity, Roma gathers five years of artistic research and creation, beginning with ‘Digital Journey Into the Classics’ — a sweeping, photographic and sculptural project. Drawing from an archive of Greek and Roman art, the project reworks iconic forms: Venus, Hermes, and figures draped in classical vestments are fractured, reassembled, and reimagined. Through these provocative distortions, they emerge not as replicas but as entirely new objects — hybrids of design, memory, and form. Blurring the line between the tangible and the virtual, these sculptures exist in concrete and marble, yet also in digital space. The ambition is to achieve a new kind of authenticity — one that doesn’t replicate the past but reinvents it, giving birth to a physicality unbound by origin, yet deeply rooted in it.
Una reinterpretazione audace dell’antichità, Roma raccoglie cinque anni di ricerca e creazione artistica, a partire da 'Digital Journey Into the Classics' — un ampio progetto fotografico e scultoreo. Attingendo a un archivio di arte greca e romana, Roma rielabora forme iconiche: Venere, Ermes e figure avvolte in vesti classiche vengono frantumate, ricomposte e reimmaginate. Attraverso queste distorsioni, esse emergono non come repliche, ma come oggetti completamente nuovi — ibridi di design, memoria e forma. Offuscando il confine tra il tangibile e il virtuale, queste sculture esistono sia in cemento e marmo, sia nello spazio digitale. L’ambizione è raggiungere un nuovo tipo di autenticità — una che non replica il passato ma lo reinventa, dando vita a una fisicità svincolata dall’origine, eppure profondamente radicata in essa.








